METHOD 1: MEDITATION

Visioning, journeying, entering the Dream


METHOD 2: VISUAL WARMUPS

Collecting raw material; generating many possibilities, working with speed, chance and exploration


METHOD 3: FOUND TEXT PILES

Collecting raw material; intuitive word selection, chance, working with what’s already there.

What are some ways of finding and collecting text?

  • pick a book of your shelf and turn to a random page. Copy down the first sentence you find on a scrap of paper, or if this book is ready to be an art supply, cut it right out of the book.

  • make blackout poems: use a black marker to blot out text on a page, leaving only certain words behind to construct a new story/sentence/phrase.

  • Google odd phrases and harvest unexpected sentences from the results.

  • cut out multiple words, phrases and sentences from a book or magazine, and start arranging like a refrigerator magnet poem.


METHOD 4: MASHUP/REMIX

Combinatory process; chance; auditioning images and text for surprising combinations.


METHOD 5: IMAGINARY CAMPAIGNS: WORKING BACKWARDS FROM AN IMAGE

Reversal of process; rule abandonment; “found” stories and metaphors, image-led thinking, new starting points.

Instructions:

Examples:


METHOD 6: WORKING BACKWARDS FROM WORDS

Reversal of process; rule abandonment; “found” stories and metaphors, TEXT-led thinking, new starting points.

This one follows the same process as working backwards from images - but this time, use found sentences, phrases, or words from your text piles. Start with an evocative phrase that becomes the title for your new artwork/program/business/artwork/empire/essay/brand - and build backwards into the details.


METHOD 7: OPPOSITE DAY

Rebellion, defiance, mischief, cultural analysis, new starting points, list making.

Instructions:

  1. As you consider your project, list all the things you “should” do according to common sense, the best practices in your industry, social norms, etc.

  2. Prototype a solution which incorporates the OPPOSITE of as many of those rules as you want.

What new ideas are hiding in doing it wrong?


METHOD 8: SWITCHING THE FRAME

Combinatory thinking; context jumping, intuitive cultural analysis, brainstorming, working backwards

Instructions:

Example (Meghan Genge)


INDIVIDUAL TURNS + CLOSING